Description

The Perfect Man

In India, industrial revolunever really started and never really ended, but western standards, which defined this new perfect working man, were imposed and accepted in a society that already had a very elitist cultural structure. The results were confusing.

De Middel tells the story of Doctor Ashok Aswani, who decided one day to go to the cinema instead of going to work. He saw a Chaplin movie four times, lost his job and started what would become the biggest festival homage to Chaplin in the world. Doctor Aswani would never be the perfect man because the perfect man works for his country’s greatness. The perfect man wakes up early to go to work and waves at his wife from the car as he heads towards the daily traffic-jam that would take him to his office. Charlot would never be the perfect man either.

Signed by Cristina de Middel


Think of Scotland

Wry and affectionate, simultaneously attuned to local color and the universality of human eccentricity, Parr’s photographic vision finds the magnificent absurdity in everyday life.

Though Parr is a prolific creator of photobooks, his archive of Scottish images has remained largely unpd; in fact, his Scottish photographs represent his largest unpd body of work to date. Martin Parr: Think of Scotland collects these images together for the first time on the occasion of his solo exhibition at the newly reopened Aberdeen Art Gallery. In Think of Scotland, readers can find the expected visual iconography of Scotland―the Highland Games, the stunning landscapes, the bagpipers―but all given that unique Parr twist that transforms the expected and the banal into something outlandish and unfamiliar.

Signed by Martin Parr


The Last Son

The Last Son charts Goldberg’s growth as an artist alongside his father’s acceptance of his own unrealized dreams. More generally, the narrative also reads as a story about American perseverance, family dynamics, and the struggle to exceed the expectations of those closest to us. Mixing photographs, collage, handwritten text, and stills from home movies, Goldberg mines his archive to trace his memories, beginning with his first photographs taken. The book is a sculptural collection of overflowing pages, offering a palpable interaction with his process of storytelling. The Last Son allows a tactile glimpse into Goldberg’s empathic process of making meaning from one’s history.

The Last Son is Goldberg’s second book in a personal, three-part Super Labo series weaving together an assemblage of visual memories that chart his own Bildungsroman. It follows Goldberg’s 134 Ways to Forget (Super Labo, 2011), a double-sided interactive poster/zine that juxtaposes Goldberg’s photographs with his writing as he sorts through 134 ways to forget a relationship. The third installment in this Super Labo series will continue to follow Goldberg’s personal trajectory–and include the never-before-pd work he made during his travels in Asia in the 1970’s.

Signed by Jim Goldberg

Condition

Light wear


The Seventh Dog

The Seventh Dog is a new monograph/photobook by American photographer Danny Lyon. Organised chronologically, this artist's book tells the story of Danny Lyon's 50-year-career as one of America's most original and influential documentary photographers. Groundbreaking as a photobook in itself, Lyon tells this story starting in the present day and going back in time to the beginning of his career in the 1960s when he photographed the American civil rights movement and the Chicago bikeriders. Through – colour and b&w photographs, original photo collages, letters and other ephemera (many published here for the first time), and Lyon's own writings – this is a story of Danny Lyon's personal journey as a photographer - a story about photojournalism, the move from film to digital photography, about Lyon's life and quest as a photographer, and of America.

Signed by Danny Lyon

About Danny Lyon
Danny Lyon has long been considered one of the most original and influential documentary photographers. He pioneered the style of photographic ‘New Journalism’ as he rebelled against Life magazine style photographs, instead immersing himself as a participant with his documented subjects. He produced his major bodies of work in this way: living with the Chicago outlaw motorcycle club for The Bikeriders, immersing himself in the Texas prison system for Conversations with the Dead. Since this work in the early 1960s and 1970s, Lyon has produced numerous highly collectible photobooks, mounted solo exhibitions at The Whitney Museum of American Art, The Art Institute of Chicago, The Corcoran Gallery in Washington DC, and won two Guggenheim Fellowships, a Rockefeller Fellowship, and ten National Endowment for the Arts awards. Lyon is the father of four children and divides his time between New York State and the state of New Mexico.

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