The Magnum & World Press Photo Square Print Sale: Written by Light October 16–22
107 Square Prints priced at $110/£110/€120, available for one week only. Shop the collection now.
The Last Son
The Last Son charts Goldberg’s growth as an artist alongside his father’s acceptance of his own unrealized dreams. More generally, the narrative also reads as a story about American perseverance, family dynamics, and the struggle to exceed the expectations of those closest to us. Mixing photographs, collage, handwritten text, and stills from home movies, Goldberg mines his archive to trace his memories, beginning with his first photographs taken. The book is a sculptural collection of overflowing pages, offering a palpable interaction with his process of storytelling. The Last Son allows a tactile glimpse into Goldberg’s empathic process of making meaning from one’s history. The Last Son is Goldberg’s second book in a personal, three-part Super Labo series weaving together an assemblage of visual memories that chart his own Bildungsroman. It follows Goldberg’s 134 Ways to Forget (Super Labo, 2011), a double-sided interactive poster/zine that juxtaposes Goldberg’s photographs with his writing as he sorts through 134 ways to forget a relationship. The third installment in this Super Labo series will continue to follow Goldberg’s personal trajectory–and include the never-before-pd work he made during his travels in Asia in the 1970’s. Signed by Jim GoldbergViolet Isle – 2nd Edition
The long awaited second edition of the sold out 2009 original, this multi-layered portrait of “the violet isle”—a little-known name for Cuba inspired by the richof the soil there—presents an engaging, at times unsettling document of a vibrant and vulnerable land. It combines two separate photographic visions: Alex Webb’s exploration of street life, with his attuned and complex attention to detail, and Rebecca Norris Webb’s fascination with the unique, quixotic collections of animals she discovered there, from tiny zoos and pigeon societies to hand-painted natural history displays and quirky personal menageries. The result is an insightful and intriguing blend of two different aesthetics inspired by Cuba’s existence over the last fifty years in an economic, political, cultural and ecological bubble virtually untouched by the rest of the world, and unlikely to remain that way for much longer. Signed by Alex Webb and Rebecca Norris WebbView of a Room
In 2016, Susan Meiselas was invited by Multistory to visit the Black Country in the West Midlands, UK. The resulting book A Room of Their Own is a multilayered, visual story comprised of Meiselas’ photographs, first hand testimonies and original art works from women in refuge. A few months before the launch of the book in May 2017, The Photographers’ Gallery asked Meiselas to exhibit a print for their Touchstone programme, where visitors are invited to respond to a photograph through writing and drawing. The response card asks a simple question: ‘What do you see?’ This publication, ‘A View of a Room’, reproduces a selection of the responses that were submitted alongside a signed 6 x 4 inch aof the photograph Meiselas chose to contribute. Includes a signed 6 x 4" aby Susan MeiselasThink of Scotland
Wry and affectionate, simultaneously attuned to local color and the universality of human eccentricity, Parr’s photographic vision finds the magnificent absurdity in everyday life. Though Parr is a prolific creator of photobooks, his archive of Scottish images has remained largely unpd; in fact, his Scottish photographs represent his largest unpd body of work to date. Martin Parr: Think of Scotland collects these images together for the first time on the occasion of his solo exhibition at the newly reopened Aberdeen Art Gallery. In Think of Scotland, readers can find the expected visual iconography of Scotland―the Highland Games, the stunning landscapes, the bagpipers―but all given that unique Parr twist that transforms the expected and the banal into something outlandish and unfamiliar. Signed by Martin ParrThe Perfect Man
In India, industrial revolunever really started and never really ended, but western standards, which defined this new perfect working man, were imposed and accepted in a society that already had a very elitist cultural structure. The results were confusing. De Middel tells the story of Doctor Ashok Aswani, who decided one day to go to the cinema instead of going to work. He saw a Chaplin movie four times, lost his job and started what would become the biggest festival homage to Chaplin in the world. Doctor Aswani would never be the perfect man because the perfect man works for his country’s greatness. The perfect man wakes up early to go to work and waves at his wife from the car as he heads towards the daily traffic-jam that would take him to his office. Charlot would never be the perfect man either. Signed by Cristina de Middel
