Description

South Carolina & Mississippi 1974

I would drive down a road, see a house, stop my car and hope that someone would open their door. I hadn’t planned what I would say. I began by explaining that I was teaching photography in the local elementary school, that I came from the North, and would like to take their photo. I didn’t really know why. As my work has evolved, it’s rarely been focused on portraits. Portraits usually aren’t an expression of a sustained relationship. I often find them to be awkward and tense encounters. Now, from a distance of more than 40 years, there are so many more questions that I wish I had asked, but maybe didn’t feel that I could. These photographs come from a time when tenderness was still possible. We could see each other, if only for a moment. Each exchange led me to make a picture and when I returned home I sent every family a print in the form of an enlarged postcard. That process was most important to me. They had welcomed me to trespass. The postcard was simply a gesture to acknowledge that crossing we shared. I wonder now how their lives have evolved. Looking back at myself as a young white woman making this work leads me to rethink my own connection to the history of the South, which I knew so little about then.
, May 2018

Get Magnum news and updates directly to your inbox

Stay in touch
Learn about online and offline exhibitions, photography fairs, gallery events, plus fine print news and activities, on a monthly basis.
Get fortnightly tips and advice articles, find out about the latest workshops, free online events and on-demand courses.
Stay up to date every Thursday with Magnum photographers’ activities, new work, stories published on the Magnum website, and the latest offerings from our shop.