Description

The Seventh Dog

The Seventh Dog is a new monograph/photobook by American photographer Danny Lyon. Organised chronologically, this artist’s book tells the story of Danny Lyon’s 50-year-career as one of America’s most original and influential documentary photographers. Groundbreaking as a photobook in itself, Lyon tells this story starting in the present day and going back in time to the beginning of his career in the 1960s when he photographed the American civil rights movement and the Chicago bikeriders. Through – colour and b&w photographs, original photo collages, letters and other ephemera (many published here for the first time), and Lyon’s own writings – this is a story of Danny Lyon’s personal journey as a photographer – a story about photojournalism, the move from film to digital photography, about Lyon’s life and quest as a photographer, and of America.

Signed by Danny Lyon

About Danny Lyon
Danny Lyon has long been considered one of the most original and influential documentary photographers. He pioneered the style of photographic ‘New Journalism’ as he rebelled against Life magazine style photographs, instead immersing himself as a participant with his documented subjects. He produced his major bodies of work in this way: living with the Chicago outlaw motorcycle club for The Bikeriders, immersing himself in the Texas prison system for Conversations with the Dead. Since this work in the early 1960s and 1970s, Lyon has produced numerous highly collectible photobooks, mounted solo exhibitions at The Whitney Museum of American Art, The Art Institute of Chicago, The Corcoran Gallery in Washington DC, and won two Guggenheim Fellowships, a Rockefeller Fellowship, and ten National Endowment for the Arts awards. Lyon is the father of four children and divides his time between New York State and the state of New Mexico.


Untold: The Stories Behind the Photographs

Steve McCurry Untold: The Stories Behind the Photographs takes an unprecedented look at the work of Steve McCurry, one of today’s finest and most daring imagemakers. This is the first book to fully explore how the world-renowned photographer finds, takes and develops his uniquely iconic photographs. Presenting a personal archive of material, Steve McCurry Untold features the very best of McCurry’s most beautiful and powerful photo stories, taken from around the world over the last thirty years. Each story is illustrated with never-before-seen notes, images and ephemera – saved by McCurry from his extensive travels – and over 100 lavish, full-colour photo plates of McCurry’s most significant work. Brought to life by newly commissioned essays, the stories offer a critical narrative and give new insight and ideas into the background, experience and ideas behind McCurry’s unparalleled photography. Together, these fascinating documents reveal a new and exciting view of the story behind the story.

Tracing the narrative behind 14 of McCurry’s most important assignments, each story provides a behind-the-scenes look at McCurry’s adventures, from first publication to their afterlife in the world, creating a documentary record of his remarkable career. The featured work covers his entire oeuvre and focuses on a broad range of themes, such as rail travel in India (1983), the plight of the Tibetan people (2000-6), the effects of the Monsoon (1984) and the events of September 11th (2001), alongside his lesser-known bodies of work on the Hazara Tribe (2007), Yemen (1999), and the environmental fallout from the Gulf War in Kuwait (1991). Richly illustrated and explained, this book provides an inside perspective on Steve McCurry, creating a living biography and archive of one of photography’s greatest legends.

Signed by Steve McCurry


The Levee


Facing New York

“The cast of characters in Bruce Gilden’s theatre of the street is outrageous. Sometimes tawdry and out of this world, they are mostly mysterious. To Gilden and his fellow New Yorkers, they’re just neighbours. In broad and simple terms, and with great expressive authority, Gilden has captured the uniquely individualistic, self-styled New York personality on the run. In Gilden’s world, no-one is on the margins of centre stage, they are all star players.” – Susan Kismaric

Originally published in 1992 by Cornerhouse Publications, the imprint of the Manchester Film & Visual Arts Centre of which Dewi Lewis was Founding Director, Facing New York was Bruce Gilden’s first major publication. It has since become a recognised classic but has been out of print for some time. For this new edition Bruce has replaced two images, of which he says that he just can’t understand why they didn’t make his original selection.

Bruce Gilden has always had a fascination with what he calls ‘characters.” So, for Bruce, New York, with its famously idiosyncratic citizenry and the unique energy of its streets, proved to be a giant creative playground. Facing New York sees Bruce and his camera at their highest level of intensity, capturing New Yorkers in moments of utter spontaneity yet still exposing the humanity that lies behind their hardened exteriors.

 


Only Human

By turns witty, surprising, and ingenious, Martin Parr’s photographs reveal the eccentricities of modern life with affection and insight. This book – published to coincide both with Parr’s 2019 exhibition at London’s National Portrait Gallery and also the date the UK will leave the EU – examines what it means to be human at a time of both change and retrospection. Bringing together new work from the last decade, Only Human explores the concepts of Britishness and national identity through the rituals and habits of everyday life.

 


Road of Bones – catalog

“Running 2031 km from Yakutsk to Magadan in Far East Russia, the ‘Kolyma Highway’ has a dark past. With untold numbers of Gulag prisoners buried beneath the highway, the ‘Road of Bones’ continues to claim new lives every year. In the coldest part of the inhabited world, the Kolyma region’s residents seem to exist in pure defiance – it is this way of life, these people surviving under extreme conditions in the shadow of a gruesome history, that I wish to engage with and portray.”
– Jacob Aue Sobol

 

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