Description

The Levee


Facing New York

“The cast of characters in Bruce Gilden’s theatre of the street is outrageous. Sometimes tawdry and out of this world, they are mostly mysterious. To Gilden and his fellow New Yorkers, they’re just neighbours. In broad and simple terms, and with great expressive authority, Gilden has captured the uniquely individualistic, self-styled New York personality on the run. In Gilden’s world, no-one is on the margins of centre stage, they are all star players.” – Susan Kismaric Originally published in 1992 by Cornerhouse Publications, the imprint of the Manchester Film & Visual Arts Centre of which Dewi Lewis was Founding Director, Facing New York was Bruce Gilden's first major publication. It has since become a recognised classic but has been out of print for some time. For this new edition Bruce has replaced two images, of which he says that he just can't understand why they didn't make his original selection. Bruce Gilden has always had a fascination with what he calls ‘characters.'' So, for Bruce, New York, with its famously idiosyncratic citizenry and the unique energy of its streets, proved to be a giant creative playground. Facing New York sees Bruce and his camera at their highest level of intensity, capturing New Yorkers in moments of utter spontaneity yet still exposing the humanity that lies behind their hardened exteriors.  

Only Human

By turns witty, surprising, and ingenious, Martin Parr's photographs reveal the eccentricities of modern life with affection and insight. This book – published to coincide both with Parr's 2019 exhibition at London's National Portrait Gallery and also the date the UK will leave the EU – examines what it means to be human at a time of both change and retrospection. Bringing together new work from the last decade, Only Human explores the concepts of Britishness and national identity through the rituals and habits of everyday life.  

Road of Bones – catalog

“Running 2031 km from Yakutsk to Magadan in Far East Russia, the ‘Kolyma Highway’ has a dark past. With untold numbers of Gulag prisoners buried beneath the highway, the ‘Road of Bones’ continues to claim new lives every year. In the coldest part of the inhabited world, the Kolyma region’s residents seem to exist in pure defiance – it is this way of life, these people surviving under extreme conditions in the shadow of a gruesome history, that I wish to engage with and portray.” – Jacob Aue Sobol  

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