The Magnum & World Press Photo Square Print Sale: Written by Light October 16–22
107 Square Prints priced at $110/£110/€120, available for one week only. Shop the collection now.
View of a Room
In 2016, Susan Meiselas was invited by Multistory to visit the Black Country in the West Midlands, UK. The resulting book A Room of Their Own is a multilayered, visual story comprised of Meiselas’ photographs, first hand testimonies and original art works from women in refuge. A few months before the launch of the book in May 2017, The Photographers’ Gallery asked Meiselas to exhibit a print for their Touchstone programme, where visitors are invited to respond to a photograph through writing and drawing. The response card asks a simple question: ‘What do you see?’ This publication, ‘A View of a Room’, reproduces a selection of the responses that were submitted alongside a signed 6 x 4 inch aof the photograph Meiselas chose to contribute. Includes a signed 6 x 4" aby Susan MeiselasThink of Scotland
Wry and affectionate, simultaneously attuned to local color and the universality of human eccentricity, Parr’s photographic vision finds the magnificent absurdity in everyday life. Though Parr is a prolific creator of photobooks, his archive of Scottish images has remained largely unpd; in fact, his Scottish photographs represent his largest unpd body of work to date. Martin Parr: Think of Scotland collects these images together for the first time on the occasion of his solo exhibition at the newly reopened Aberdeen Art Gallery. In Think of Scotland, readers can find the expected visual iconography of Scotland―the Highland Games, the stunning landscapes, the bagpipers―but all given that unique Parr twist that transforms the expected and the banal into something outlandish and unfamiliar. Signed by Martin ParrThe Perfect Man
In India, industrial revolunever really started and never really ended, but western standards, which defined this new perfect working man, were imposed and accepted in a society that already had a very elitist cultural structure. The results were confusing. De Middel tells the story of Doctor Ashok Aswani, who decided one day to go to the cinema instead of going to work. He saw a Chaplin movie four times, lost his job and started what would become the biggest festival homage to Chaplin in the world. Doctor Aswani would never be the perfect man because the perfect man works for his country’s greatness. The perfect man wakes up early to go to work and waves at his wife from the car as he heads towards the daily traffic-jam that would take him to his office. Charlot would never be the perfect man either. Signed by Cristina de MiddelThe Levee
Facing New York
“The cast of characters in Bruce Gilden’s theatre of the street is outrageous. Sometimes tawdry and out of this world, they are mostly mysterious. To Gilden and his fellow New Yorkers, they’re just neighbours. In broad and simple terms, and with great expressive authority, Gilden has captured the uniquely individualistic, self-styled New York personality on the run. In Gilden’s world, no-one is on the margins of centre stage, they are all star players.” – Susan Kismaric Originally published in 1992 by Cornerhouse Publications, the imprint of the Manchester Film & Visual Arts Centre of which Dewi Lewis was Founding Director, Facing New York was Bruce Gilden's first major publication. It has since become a recognised classic but has been out of print for some time. For this new edition Bruce has replaced two images, of which he says that he just can't understand why they didn't make his original selection. Bruce Gilden has always had a fascination with what he calls ‘characters.'' So, for Bruce, New York, with its famously idiosyncratic citizenry and the unique energy of its streets, proved to be a giant creative playground. Facing New York sees Bruce and his camera at their highest level of intensity, capturing New Yorkers in moments of utter spontaneity yet still exposing the humanity that lies behind their hardened exteriors.Only Human
By turns witty, surprising, and ingenious, Martin Parr's photographs reveal the eccentricities of modern life with affection and insight. This book – published to coincide both with Parr's 2019 exhibition at London's National Portrait Gallery and also the date the UK will leave the EU – examines what it means to be human at a time of both change and retrospection. Bringing together new work from the last decade, Only Human explores the concepts of Britishness and national identity through the rituals and habits of everyday life.
